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flake white vs titanium white oil paint

Textures range from soft and smooth, to rich and buttery, to dense and stiff under the brush.A soft white will feel light and smooth, oftentimes right out of the tube. According to the W&N faq, Flake White Hue has a lower tinting strength than Titanium White to match Flake White and a similar drying rate to the original. It actually has a slightly higher permanence rating (AA is more permanent than A) than their regular Flake White. Its merely a matter of preference and what youre looking to achieve. It is neither as opaque nor dense as Lead White, and once again, it takes much longer to dry. Flake white paint is lead-based. Lead Whites ruled until the end of the 1800s when Zinc Oxide White was introduced in 1782. Because zinc white is so clean, it is invaluable for making tints with other colors. Its best to use zinc white in thin layers, such as in a glaze. Many painters prefer the Lead Whites warm tone and handling characteristics enough to work around its well-documented health hazards. Learning how to handle it can make it a very desirable whiteespecially for the upper layers of a painting, where a bit of opacity can be useful. Do this by avoiding ingestion, excessive skin contact, and inhalation of spraying mists, sanding dust and vapors from heating. They did direct paintings, i. e., Alla Prima, Au Premier Coup.,These paintings consisted of very few wet into wet layers and had very few problems with the cracking and delamination. Friday Uninstructed Session(figure drawing from nude model, short pose)10:30 am - 1:30 pm, Friday Mentored Session10:30 am - 1:30 pm, HEADS, FACES, & FEATURES: 4-Day WorkshopJuly 21-24, 2022, 10am - 4:30pm. However, these paintings were painted on poorly stretched canvas primed with Zinc Oxide or Acrylic Emulsion House Paint Grounds. It dries faster, which makes it better for underpainting. It also dries quickly and isnt prone to yellowing, as some other whites are. It creates lovely harmonious mixtures when added to the cadmium colors on my palette. I mix them on my palette, and have found that mixture to be a really great glazing white. Texture is how the paint feels on the brush and how it interacts with the canvas. They will resist the knife and the brush. Radiant White has a high content of titanium dioxide pigment and is bound in safflower oil, yielding a bright white that has a neutral temperature. On an Alaska fishing trip in early July, I shot a photo as first morning light permeated the distant misty landscape and played across the ocean surface with a warmth that belied the cold morning. Zinc white is made with zinc oxide and tends to be brittle when applied thickly, so it often cracks over time. Constructive critiques and comments welcome. Follow. TITANIUM-ZINC WHITE: This is the real workhorse; it is a mixture of Titanium Dioxide and Zinc Oxide. View our selection of white oil paints from brands such as Williamsburg, Michael Harding, Winsor & Newton, and more. When you want to get those amazing translucent skin tones, you see in Rennaisance paintings, opaque whites with a lot of titanium dioxide is usually what keeps artists fighting against their paint. Linseed oil naturally has a yellow hue. There is no right or wrong white to use. The addition of lead used in flake white makes it a warm and opaque white oil paint. You can always add lean or fat mediums with drying oil to your paints to make them fatter or leaner. We will send you an email to reset your password. Flake White Replacement has all the working properties of traditional Flake White: long ropey stroke, warm color, translucency, and short brush mark. It has a very subtle reddish-yellow undertone that is almost unnoticeable unless one is looking for it or comparing Lead White side by side with other Whites. "Extraordinary claims require extraordinary evidence." They break easily from the brush, allowing you to make crisp marks, but they can also be manipulated and nudged to be made a bit softer. Choosing the best white oil paint to use for your painting isn't a task that we often think about. Flake replacements without the lead never seem come close, truly a shame that it is becoming harder to get lead based flake white. First and foremost was the manufacturer Rublev Artists Oil Colours who make a number of potentially toxic products including Lead Carbonate Whites. It is important to note that some paint manufacturers are moving away from the traditional zinc white in favor of others. For painters who dont care about whether their paintings will last beyond their own lifetimes, any white that fits their technique will do. Fast-drying whites are ideal for underpainting and for use as base layers in your work. Why not take this a bit further and use other high-value colors as your white? It will feel longer in the texture, leaving you with the feeling of more drag or pull as you use a brush. Of course, the Master would have their apprentices make these Lead-Based White oil paints for each painting. Theoretically, one can paint safely with Lead-Based paint; the considerations, however, are manifold. They have different drying times, varying levels of opacity, and they allow you to create different types of texture on your canvas. Fast whites usually dry in about 24 hours, allowing you to come back to your art a day later to add extra layers, make new marks, or layer on additional painting techniques. Rublev Natural Pigments launched a marketing campaign based on its own misleading conclusions of the Mecklenburg Test. It is very doubtful whether as many would still be here for us to see and learn from if any other white had been used. Its transparency though, lends itself to being used in places where you want the under paint to show through and in glazes that don't desire to be overpowered by the white.Titanium has the highest tinting strength and is the most opaque. Mixed with other colors, the Titanium by itself dominates the mixture. Bringing a variety of whites to your work will do wonders to giving the same techniques a depth and breadth that they lacked before.If you're painting a portrait or figurative work, you might use Titanium white oil paint for your lay in and then use a combination like Titanium Zinc White to add in some transparency to your skin tones. Made with titanium dioxide and pigments carried in safflower or linseed oils, titanium white is a pure white that dries at a moderate rate and mixes easily with other colors. For the indirect Painter, the slower drying time means one should not apply faster-drying pigments on top of Zinc Oxide. If you need white paint to prime your canvas, reach for foundation white. These harmonious, greyed-down tones sit beautifully together on the canvas as a result of them each having a common ingredientPortland Grey Light. Eric Jacobsenjacobsenfineart.com. Flake White is one of the most elusive and varying of the whites, depending upon which brand it is. Compared to other white oil paints, Zinc Oxide has a more delicate tinting strength. The paint you need depends upon the effect you want, the subject matter youre painting, and the overall look you want to achieve. They have varying temperatures. Contains lead. The three main workhorses on the team are Lead, Titanium-Zinc, and Flake White Alternative. Paints made with linseed oil, such as underpainting white, are warmer in tone. Too many people being misled by all the toxicity claims. However, it should not be dismissed due to this property. Titanium whites are buttery, easy to apply, and neutral in temperature. If, for example, they used linseed oil then youd expect that it might show a very slight amount of yellowing and thus not be a good choice if you really want the most pure brilliant white possible (but without knowing, its impossible to even make a guess; this information is provided on the tubes, so its a mystery to me why they dont include it on their web site with all the other data). It is the best binder for earth colors used in underpainting but not the best binder for most whites. Well, Titanium White is not a bad white, as is so often claimed. Titanium, introduced in 1921, is the most durable, most brilliant white available to artists. Its basically a lower tinting strength version of their titanium white, which can come in handy, but in my opinion not a very good substitute for real lead white. Personally, I use a combination of about equal amounts of Old Hollands Cremnitz White (Lead White), and Old Hollands Titanium White. Zinc White is the most transparent white. After Nay-Sayer number one and Nay-Sayer number two let the cat out of the bag so to speak. While many painters love it for the impressive results it produces, many manufacturers are shying away from it due to more governmental health safety standards. This is your non-toxic general painting white and the only white you need on your palette if you can only have one. Many artists choose their white oil paints based on texture. But for most artists, this is easy to manipulate and alter to suit your specific needs. I use Grumbacher Pretested Oil Paints, but not that one. Zinc white is one of the stiffest and coolest white oil paints available. And thats because every white oil paint serves a specific purpose. Marions team did make the observation that certain pigments have trouble adhering to Acrylic Gesso Grounds. Please log in again. In short, when one mixes color with Zinc White, the resulting color is much more saturated and cooler than mixing a color with other whites. To determine the perfect white for your next work, its essential to know how different types react to the brush. I would LOVE too. When using titanium white, youll notice that very little undertone shows through, so its not intended for creating transparent effects. A paint that is made using Linseed oil will be warmer, while safflower oil paints tend to be more neutral and cool. Prefer a white thats a bit denser? We designed it to be the perfect, all-around mixing white and to have the perfect texture to support the work of painting. These tests were done on Mechanical Grounds and substantiate the Smithsonians test results which singled out issues with Acrylic Grounds. Depending on how heavy you paint your layers, it can take up to twelve days for a slow-drying white paint to dry 100%. Swapping Titanium White for any number of alternatives can solve problems and create meaningful, new artistic possibilities. For many oil painters, the feel of the white can make a big difference in their painting experience. It is lead carbonate. For example, oil paints that contain linseed oil tend to be fatter in nature than those with fewer oils. Since the test findings cannot be separated from the non-archival commercial house paint grounds they only tell us one thing. It works within that goldilocks zone, playing the middle ground.The stiffer whites are great for getting those big thick, juicy brush strokes. TZ drys slower without Alkyds, making it is less suited for underpainting but better suited for Alla Prima, Au Premier Coup, final layers, and finishing touches. Titanium white has the fastest drying time, leaving a pristine surface that dries much quicker. contact@tsofa.com. There will undoubtedly be some that you enjoy working with more than others, and the only way to know what you prefer is to test them all, so you know what they all do. Temperature isn't something that gets that much consideration. I really like it. I absolutely agree. Just like the Surgeon Generals warning label on tobacco products, there are warning labels related to lead white artists oils. Home Forums Explore Media Oil Painting The Technical Forum Titanium vs Flake White? You can still make crisp impasto marks. Opaque whites are ideal for plein air painting because they allow the artist to knock in colors quickly. By 1844, a better Zinc White for oil was developed by LeClaire in Paris. The Winsor and Newton Flake White Hue is bound in safflower oil. In 1782, Guyton de Morveau at LAcadmie de Dijon, France, suggested zinc oxide as a substitute for Lead White. The concept of fat over lean is one that most oil painters know all too well. Transparent white has a neutral temperature, and its semi-transparent, so its easy to mix with other tones and glazes. Viewing 15 posts - 1 through 15 (of 248 total), This topic has 247 replies, 47 voices, and was last updated. Pure WhiteWhether the painting in question is abstract, representational, a bit of both or somewhere in between, there are situations where the use of straight, pure white is called for. The tinting strength is low, so its ideal for using with pale glazes. {"email":"Email address invalid","url":"Website address invalid","required":"Required field missing"}, Despite her best efforts, things werent going well (Danis story part 2). I have to say, it is absolutely irreplaceable for mixing skin tones. This paint will have the least resistance under the palette knife or brush. Lead based choices are Lead Carbonate, Lead Sulfate, Stacked Lead White, Flake White, Cremnitz White, Flemish White, Lead-based Foundation White. WE STRONGLY ADVISE READING UNBIASED MATERIAL ABOUT WORKING SAFELY WITH LEAD AND OTHER TOXIC METALS. The intent you have for your oil painting will determine which you choose. Heres why you need more than one type of white oil paint, and its not only about color. It often includes zinc, which improves its texture. What had been recently discovered was that Zinc White WHEN USED INCORRECTLY delaminated from CANVAS PRIMED WITH ACRYLIC GROUNDS. Stiff whites provide the most significant amount of resistance to your brush, and they drag and pull on the brush much more so than soft whites. Some are crisp and opaque. Foundation white has a warm, yellow undertone, making it well-suited for many types of underpainting. Its stable when applied thickly, and it has a pure white color, similar to titanium white. Flake replacements without the lead never seem come close, truly a shame that it is becoming harder to get lead based flake white. The color of the light source influences all of the other colors in the paintings subject matter. Its one of the least stable whites that exist, but if youre looking for a cool white pigment, zinc white is one worth having on your palette. Titanium white is a non-toxic paint, and youll rarely find an artist that doesnt have at least one tube on hand. His team did multiple studies involving the transport and storage of artifacts including painting. This makes the paint ideal for replicating the impasto of thick impressionist paintings. The non-lead whites are Flake White Replacement, Zinc White, Titanium White, Lithopane, Non-Lead Underpainting, or Foundation White and Transparent White. BINDERS: Adding to the confusion, different manufacturers use different binders as drying oils, Linseed Oil, Walnut oil, Poppyseed oil, Safflower oil, and combination of those oils. With that said, many painters could be better served at times by whites other than Titanium White. You may want to try a small, 40 ml tube of Old Holland Cremnitz White, if you appreciate a nice, lead white. Its much less flexible than other whites, and its brittle nature can drastically alter the look and feel of a painting over time. Prefer to add more color or texture into a wet work? If drying time is of concern, youll want to pay attention to the fast, slow, or moderate drying capabilities of your various white paints. Ready to add a new white to your paint set? Buttery whites have a middle-of-the-road texture. Read the label to see what it is, and dont buy it if it says PW 4 or zinc oxide, unless you just dont care how long your paintings will last. Use extreme care when working with Lead White Pigments. The Flake whites that I use are always (or always claim) to be a mixture of Lead and Zinc. Linseed oil tends to yellow over time, but it dries faster than other oils. As the name suggests, this oil paid is ideal for laying a foundation or underpaint layer, so its a good option when you need to lay down a lot of coverage. Manufacturers formulate each to create different looks. A major reason why there are so many paintings hundreds of years old on exhibit in museums for us to see today is that the artists who painted them used lead whites. Last but not least, they do not come with a warning label. When deciding which white oil paint to use, youll want to consider the color, undertone, temperature, drying time, and texture. I looked on Winsor site and they both look the same as far as permanence, transparency, ingredeients etc. With so many white oil paints to choose from, its understandable that theres confusion around which white to use. Their campaign slogan, Friends Do Not Let Friends Use Zinc. positioned Zinc Oxyde as a pigment one should eliminate from their repertoire, thus taking the focus off the toxicity of their own products and eliminating their major competition at the same time. Whites with moderate dry times usually take about two or three days to dry. Zinc White does not blacken in the presence of sulfur fumes like Lead White. I also like Doaks Flake with Mica. For some reason unknown to me, the combination of Titanium and Lead Whites does not seem to be a popular, commercial mix. Lead whites pigment number is PW 1. Zinc white paint is thin and semi-opaque, making it ideal for glazing. I would avoid any fake Flake White hue or imitation. Disposal of the lead waste from the painting process is also problematic. I picked up my (oil) paonobrushes today for the first time in five years. The pigments are different; the binders are different; the additives added to make paint squeezable from a tube were not even available in Rembrandts time. Titanium Dioxyde, in its pure form, creates a soft, spongy film that is unsuitable for artists oil color. It has a cool temperature, yet its warmer in temperature than some other whites. Not sure which white paint you need? Every time this comes up I just think to myself, My god, I LOVE flake white. GamblinWarm White and Cool Whiteare designed for painters who want to factor the color of the light into their color mixtures. Percentages vary by brand, and the ideal percentage is the subject of much debate. There is a lot of smoke and mirrors going on here, but the long and the short of it is that Zinc Oxyde will not adhere to Mechanical Grounds like ACRYLIC GESSO. As a painter, youve undoubtedly been mesmerized by the vast selection of white oil paints on art supply store shelves. It has lead in it so I thought Id stick with the Titanium since most people use that anyway. This includes combinations of titanium dioxide and zinc as well as lead carbonate and zinc oxyde. It has poisoned artists, factory workers, women looking for beauty fixes, and children who were attracted to the strange sweet taste. That is obviously not the case. Cremnitz white is also lead-based, so it too is toxic. We've sent you an email with a link to update your password. On the down-side, the product costs more and comes with a warning label. Flake White Replacement combines a lower tinting strength with a dense, ropey texture. Lead Whites outstanding handling characteristics come with a cost. Unlike flake white, Cremnitz white does not include zinc oxide, so it has that stringy feeling that some artists love. 1 which is more permanent than the titanium and flake. The temperature of the white pigment in your paint can affect your mixtures - and it becomes even more important when you are painting a passage that uses pure white.As a painting ages, safflower whites will tend to hold their color better.Paints that use linseed will naturally dry faster and harder in addition to their warm color. Follow our Meetup page and subscribe to our newsletter for drawing sessions and workshop updates. In 1834, Winsor & Newton, London, introduced Zinc Oxide White under the name Chinese White. Were Ready To Open Our Doors to In-Store Shopping on June 15th! (Pigmentalogy 101). One thing they dont mention is the vehicle, which would be good to know because they probably did something to make it dry faster. Why is lead paint a safety concern? Gamblin Artists Oil Colors makes more of their artists gradeTitanium Whitethan any other color by far. Lead White is also the fastest drying of the three basic whites, making it particularly suitable for indirect underpainting techniques. Tens Of Thousands Of Paintings Done With Zinc Oxide Has Stood The Test Of Time From The 1780S To The Present Day Bridging From The Neoclassical Painters Through Postmodernism. Chalky mess or over saturated leatherface. Not sure just why, but I like it for my working methods, and I am not into this ropey and stringy characteristic of lead whites, so often revered by some oil painters. This is presented as a new revelation when in fact Painters have known the characteristics and limitations of Zinc Oxyde for centuries. You can experiment with anything in between to find the right feel you enjoy under your brush and the right tone on the canvas. The login page will open in a new tab. Its beautiful opalescent quality is of special interest to portrait painters. On the other hand, Grumbacher offers a Flake White which I believe is strictly a Lead pigment. Danger! For those who do care, any white that has zinc oxide in it is best avoided. The first rule I entertain regarding my painting in oils is if it is good for my oil painting, percieved toxicity always takes a back seat. What one buys in tubes has little in common with the Hand-Mulled pigments made in Renaissance Workshops. Many foundation white paints contain lead pigments and a small amount of linseed oil, so its fairly dry. The swatches below show Titanium White, Titanium Zinc White,and Titanium White 1980 mixed 5:1 with Quinacridone Red. The real question, of course, is how long did the Apprentices who made their paints and cleaned their brushes lived. DO NOT USE ZINC OXYDE OF ACRYLIC EMULSION HOUSE PAINT TO PRIME YOUR CANVAS. According to Dr. Marion Mecklenburg of the Smithsonian Institute, Zinc Oxide, can become brittle in as little as three years even under museum conditions. Heres a glimpse at the key whites youre likely to find in every art supply store and why you want them all in your supply kit. You will have to consider the texture and mark-making of the paints, the dry time, tinting strength, opacity and temperature to fully understand which white will get the effect you're after.Titanium based whites, or Zinc oxide based (or something in between like Titanium Zinc White) - let's take a look at what they do. Their Flake White is actually a mixture of Lead and Zinc Whites. It shouldn't be the primary white you use unless you are using a panel for your oil painting. Titanium dioxide is PW 6. Its the leanest of the Gamblin whites and a terrific underpainting white. These tests have nothing to do with the Craft of Painting. Whenever someone says that they love Flake White, the first question that comes to my mind is .whose? YouTuber ZHC paid us a visit and stayed a while, Introducing an Oil Painting Master Class with Salomn Huerta, S.C. Mero in the LA Times Raw Materials Art Supplies, Today at the LA Art Show: S.C. Mero Art Lives Here. To capture this unique atmosphere back in the studio, I set aside my usual Titanium White for tinting and switched to Warm WhiteandTitanium Buff. Now that we have DEFROCKED the DEFAMERS we can start to discuss the pros and cons of Zinc Oxyde. Zinc White has some notable limitations and limited uses. Soft whites are easily brushable. If you like WN, try WN Artist Titanium mixed with their Cremnitz. CONCLUSION: If one has to choose only one white to have on their palette, that choice would be between a Forms of Lead White a Titanium-Zinc Mixture or a Flake White Alternative. Some of these single-pigment lead whites are called Cremnitz White, by one spelling or another. Titanium-Zinc mixtures create more radiant tints. IT IS ESPECIALLY PROBLEMATIC ON STRETCHED CANVAS PRIMED WITH ACRYLIC GROUNDS. Today, it seems that the term, Flake White, can really refer to just about any sort of pigment, as long as it appears white. Quick dry times allow painters to get more painting accomplished and start working with a pristine matte surface quicker. Below are a few examples. Additionally, it is non-toxic and more economical than white Lead. Any thoughts on the Flake White Hue as a substitute to Titanium White? Miraculously all my paints are still good! Another third party Zinc defamer is the author of a book on Old Master Methods and his conclusions do not jibe either. If you intend to paint large white spaces, rather than as light within your painting, undertones become more critical. Conservators Conserve and Painters Paint the two have nothing in common no conclusions came out of these structural materials and climate control abstracts that would prohibit the use of Zinc Oxyde. It dries quickly, making it a good option for laying down multiple layers a few hours apart. I have a friend who refuses to use zinc because she heard of its problems, and refuses to use lead because of safety concerns she ends up with portraits that look one of two ways. Perhaps that was because I am a beginner? It overpowers other pigments making them chalky and pale. (Photo: Portrait of Marion F. Mecklenburg). In 1850 Michel-Eugne Chevreul was asked by the French Academy of Science to determine if Zinc Oxide could replace the more toxic Lead Carbonate. Gamblin, for example, offers a Flake White Replacement which uses titanium white instead of lead carbonate. They offer the least amount of resistance to your brush, making them easy to apply and easy to mix. Stiff whites are a perfect choice if youre trying to replicate (or create your own) impressionist-inspired painting. After logging in you can close it and return to this page. Several types of white oil paint are available to the Painter. Underpainting white consists of linseed oil or alkyd resin, which makes it dry relatively quickly. Im not at all sure of the entire process, except that it was lead white pigment that was produced in the operation. It's not the painting technique - it's the white pigment causing the problem. The oil used in the paint affects the undertone, which is especially important for artists who enjoy painting large white areas. It is a seductive mistress, a toxic, yet stunning white pigment that many painters prefer for flesh tones. His team examined paintings from the Hirshberg Collection which were done by Abstract Expressionists like Hans Hofmann and Jackson Pollock. It has excellent hiding power and with twice the opacity of pure lead white. An example of stiff white would be lead based paints (Flake White or Cremnitz white) but what I recommend is Flake White Replacement because it is lead free and gets you the same effect.

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flake white vs titanium white oil paint

flake white vs titanium white oil paint

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