They should definitely expand this list to TOP 100! Texas-born Coleman caused ructions in the jazz world when he arrived in New York in 1959, armed with a plastic alto saxophone with which he unleashed the revolutionary concept of free jazz. And what about possibly the smoothest and technically wondrous Per Christlieb? Good job. WHERE IS PHIL WOODS ARE YOU KIDDING???????????????????????????????? One is never going to agree with these lists but they are great fun keep them coming! reeds saxophone rigotti gold jazz tenor Coltrane would come in soon after that. When youre talking about art, which is what creating music is, it is subjective, and between the ears and eyes of the beholder, and so all opinions are uniquely different. George Coleman? I miss the likes of Vido Musso, James Moody, Oliver Nelson, Tina Brooks, Charlie Rouse, to name a few. Of course, after Miller died, he took over the band. sax jazz tenor arbiter saxophones trevorjonesltd And as for some of the choices whoever compiled the list should be hanged, drawn and quartered, and have his pocket-money stopped, etc etc etc. What is wrong with the world. His 1939 recording of Body And Soul, with an extended solo that improvised on, around and beyond the songs main melody, was a game-changer that opened the door for musicians such as Charlie Parker. tenor instrumental When he left, my wife turned to me and said: Its him (referring to Trane) or me. She headed for the exit, followed shortly afterwards by me (it was just as well during another Archie Shepp sonic assault.).. uDiscover Music celebrates the 50 best jazz saxophonists of all time. Get your ears checked and your facts right. Bullshit list and chronologically provincial. He at least was recorded and published, which is more than the Blue Note execs did for Tina Brooks, perhaps the best of the Coltrane challengers with something original to say. So all of you are right. Seriously, no James Carter? I dont think Trane himself would have put himself at number two either way. John Carter? Thats a shameI never get tired of him, and given my devotion to Monk, Im glad Rouse was the tenor player for so long in that quartet. Though hes been dead for over six decades, no saxophonist yet has eclipsed him in terms of importance. Any professional sax player will put Brecker at number one or number two. Lovano is a supremely versatile musician who has played in a welter of different musical contexts and whose influences range from bop to African music. saxophone jazz playing tenor china enlarge Jacquets rambunctious wild solo on Hamptons Flying Home is widely perceived as representing the first manifestation on record of what would develop into rhythmnblues. soprano Glad to see Yusef Lateef and Pharoah Sanders on here too. They are from the Toronto, Ontario area. His album Short Stories is still as amazing as it was the first time I heard it. Baritone specialist Park Pepper Adams came from Michigan and was a stalwart of the Detroit scene, where he played with Donald Byrd in the late 50s and early 60s. Som many others that were omitted do. What about Booker Ervin? you guys are all old timers. Hmm? But it was altoist Charlie Parker who made the biggest impact with a technically challenging and harmonically progressive new form of jazz called bebop, in the mid-40s. Pharaoh Sanders at # number 47 really that is a joke dont know who came with this list but no way, GIANLUIGI TROVESI from Italy? Theres a few on this list I would trade out for James Carter. It was largely through his alliance with Keith Jarrett in the 70s (he played as part of the pianists European Quartet) that gained him an international audience. it would be worse if everyone had the same opinion I believe. Stitt has some of the most beautiful playing, articulation, and sound ever on a saxophone. Lester Young should have been two. Yeah, forget the contributions of Adrian Rollini, Jimmy Dorsey, and Frank Trumbauer. Gerry Mulligan (#46! Born in New Orleans, the birthplace of jazz, Bechet started out on the clarinet and impressed at an early age before switching to the then-unfashionable and rarely heard soprano saxophone after discovering one on tour in a London junk shop in 1920. tenor sax priceless jazz ballads allmusic https://www.youtube.com/watch?v=fa99q-vq4bI&list=OLAK5uy_k7M-0PcT5vtPSusxNDlUYOkkVOJEwZ5vM&index=10. Everyone has there personal favorites of course, but if you truly know jazz, than this list is the Canon of Sax platers. John Gilmore? His place is very much deserved. I personally thank your father for his innovation and influence, and Im pretty sure HE had some Coltrane influence (I hear it in his riffs) and took it to a different place. Greatest how? Dubbed the Lone Wolf, Boston-born Stitt started out as an alto saxophonist and began his recording career at the dawn of bebop during the close of the 40s. How about Sonny Criss. Please, listen to Max Ionata. He does a great version of YOU MUST BELIEVE IN SPRING!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Mulligans resonant baritone sax appeared on countless recording sessions during his long and fertile career, including those by Miles Davis, Billie Holiday, and Dave Brubeck. I shall definitely listen to CANDY DULFER playing her version and compare. trombone duet alto tenor saxophone sheet musicaneo inside i have his blue note collection and really love his sound. This eminent Norwegian composer and saxophonist (whos a master of both the tenor and soprano varieties of sax) has enjoyed a long and fecund association with the ECM label, where hes been since 1970. It also reveals a number of one-off talents who have helped take the music in new directions. I wish they would stop these lists. Like many of the best jazz saxophonists, Lands brooding tenor sound, with its intense level of expression, was indebted to Coltrane. And what about Archie Shepp? Its in that spirit I chimed in on the piano list earlier. Not even a peep about grover Washington jr,wow. From Baltimore, Maryland, Bartz plays both alto and soprano saxophones. A prolific purple patch at the Impulse! Read my reply to Charles Drago, although I cannot see it has been sent. A key member of the Dave Brubeck Quartet between 1951 and 1957 (he wrote the groups most famous tune, the big crossover hit Take Five), this San Francisco-born alto saxophonists light delivery helped to define the West Coast cool sound. Go back and listed to Time Check by Louis Bellsons Big Band album 150 mph and FM by Steely Dan as examples of the breadth of his chops. Frank Trumbauer? I think that Boots Randolph should be on the list. Wheres Hans Dulfer? Tim combines Irish music with jazz which is quite interesting. I will just say my top three (all in the top 6 here), definitely in this order: 1) Sonny Rollins No matter what you do you cant satisfy everybody. How could they forget: Buddy Tate, Don Byas,Hershall Evans, Bud Shank, Bob Cooper, Lucky Thompson, Serge Chaloff and so many others? Parkers influence was pervasive and his explorations helped to change the course of jazz, transforming it from dance music to art. All 3 were very unique, avant-guarde musicians and saxophonists who changed and expanded the role of jazz sax. Steve Coleman It should be PAT LABARBERA. Seriously? Also missed was the inaccuracy about Jimmy Heaths brothers: Percy was the bassist (notably his long association with MJQ) and Albert Tootie is the drummer. MICHAEL BRECKER Number 45: THIS IS A JOKE???? dolnet saxophone woodwind It wasnt actually the listeners who walked out on John, but John who, perhaps for some understandable reason of his own, walked out on the music, his supporters, and his seminal role in a beautiful African-American art form. Topping the list of the best jazz saxophonists ever is the man fans referred to simply as Bird. But thank you for mentioning Tina Brooks. tenor sax priceless jazz ballads allmusic Paul Desmond should have easily made the top 10!! Jazz is not just a succession of notes played in a particular way. Youve GOT to be kidding. He also did very well in the singer pollls. He was great on both saxophone and clarinet! Grover should definitely be on this list!!! An acolyte of John Coltrane (with whom he played between 1965 and 67), tenor/soprano saxophonist and flutist Sanders helped to bring both a cosmic and deep spiritual vibe to jazz in the late 60s and early 70s. U was glad the jug, Gene Ammons squeaked into the top 25. Merely influence? IMHO that is a true sign of greatness and legacy Bird Lives! I especially liked her modulations in her improvised solo!! label between 1969 and 1974 (which yielded ten LPs) cemented his place in the pantheon of best jazz saxophonists. Ive listened to them all and Criss is as good as anybody. Frank Wess? Flip flop Coltrane and Parker and Ill accept 1 and 2. Making his recording debut with Art Blakeys Jazz Messengers in 1965, he was already recording as a leader for Milestone when Miles Davis recruited him in 1970. But the painful ugliness of the sound he made on 4 different occasions was enough to detract from the beauties of A Love Supreme, the ingenious harmonic revisions of Giant Steps, and the multiphonics in the cadenza of his favorite tune, I Want to Talk About You (played on practically every Coltrane session I attended). GO ON YOUTUBE HEAR RENE NETTO PLAY LOVER. His band is called THE CLEFS OF MOHER which is a spoof on the CLIFFS OF MOHER (Ireland). ), Paul Desmond (#27), Sidney Bechet (#25), and Johnny Hodges (#12) are vastly underrated by comparison. Unique among the best jazz saxophonists to come up in the late 40s and early 50s, Konitz was one of the few altoists who wasnt infected by Charlie Parkers bebop sound. He often spoke about how he wasnt in the same league as the others but you have to admit he did a great Chattanooga Choo-choo.. Would note that Jimmy Forrest is a candidate for the list, even though recordings are few. Baritone???? BENNY HILL was a funny show as well. Her live version of Pick Up The Pieces is the best anywhere. The saxophone (the tenor and alto varieties) only began to play an important role in the big-band swing era, when Johnny Hodges and Coleman Hawkins emerged as one of the best jazz saxophonists of their era. The list is a joke, indeed. Discover the best jazz trumpeters and best jazz drummers of all time. Warne Marsh should be in the top 10. No Sonny Stitt or Phil Woods??????? Gerry Mulligan should be in the top twenty! Marion Brown & John Surman? Though he could swing with aplomb, Gordons forte was ballads, which allowed his rich, emotive tone to convey a poignant lyricism. His sound is powerful yet elegant. Desmond is to the saxophone as what Guaraldi is to the piano, nice within a very specific context/aesthetic- once you get out of that aesthetic everything else is meh. reeds saxophone tenor rico unfiled jazz select enlarge addario mouthpiece tenor saxophone clasp plated jazz cup metal shipping gold I didnt know who Steve Lacy and Teddy Edwards were ten years ago, and Im still learning. Brandford Marsalis and James Carter please, mostly on soprano sax And I am a big fan of Dexter Gordon too. Eddie Harris. CANDY DULFER is the sexiest person to ever play the sax and can outplay this entire list. Dolphys Blue Note LP, Out To Lunch, remains a touchstone of avant-garde jazz and his influence has extended beyond the genre. holy good god yusef lateef ranked higher than Michael this guy is on crak!!! Like a number of the best jazz saxophonists of his era, he was a disciple of Charlie Parker, but nevertheless forged his own style, a soulful amalgam of bop, gospel and blues influences. But even several spells in prison couldnt taint the lyrical beauty of his distinctive alto saxophone sound, whose roots were in bebop. This North Carolinian, Charlie Parker-influenced tenorist started to make his mark in the 50s, where his bluesy, soulful, and increasingly funkified hard bop style resulted in a slew of notable LPs for the Blue Note label. As the 50s led into the 60s, McLean began to expand his expressive palette and musical horizons by venturing into more exploratory, avant-garde territory. If he had lived beyond 34 years of age, who knows what he could have accomplished. A form of lung disease has silenced Rollins tenor saxophone since 2012, but he remains the last great saxophonist of jazzs golden age. Unbelievable, any sax list without grover washington isnt worth the 1s and 0s its printed on. Why no British players? saxophone tenor standards schott jazz lounge Regarded as an eccentric blind maverick by some for functioning as a one-man band on stage (he could play three horns at once and had a variety of exotic instruments dangling from his neck and shoulders), Kirks multi-tasking skills meant that his prowess on the saxophone has been overlooked. Brought up on a strict diet of rhythmnblues, this Los Angeles altoist played in the bands of Gil Evans and Chico Hamilton before making his mark as a proponent of avant-garde jazz in the late 70s. Rouse used the whole range of the tenor from the bottom up, well into the altissimo. intermediate sax tenor conception jazz After all that self-righteous rhetoric, I think Don Byas and Lucky Thompson should be on the list or expand it!!! Though marching band music was part of jazzs foundation, it was the trumpet, rather than the saxophone, that first took the spotlight. Gato Barbieri does not belong in this list. Coltranes sense of lostness was unmistakable when he struck up an alliance with Ornette (a rank amateur in terms of technique compared to Coltrane). I AGREE!! Probably too white for you effite pansy-asses. Desmond and Mulligan arent in the same league as the aforementioned. His florid, effusive style was often likened to sheets of sound. Coltranes music was always evolving and progressed from hard bop through to modal, spiritual jazz, and the avant-garde.

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