Controls - Gain, Treble, Volume, Presence, Bass. This is the killer pedal from the 6-Band Series - really taking a Klone into uncharted higher gain territory - with an equally flexible output level. This is one of those immediately instantly satisfying overdrives which is supremely easy to dial in - I kind of like it with both the optional toggle-switches applied - but it sounds great without too - so I vary the output a fair amount. With an ability to mimic a whole range of amps, notably Marshall and Fender models, or provide overdrive thats perfectly tailored to be an extension of your clean amp tone, it will give you a proper cranked vintage amp sound at practical stage and home levels whatever amp you are using. It's not 100% perfect in every department - and with both the OD-200 and Neuron the EQs can be a little hard and dense - where on equivalent analog pedals they impact in much more of a softer nature! Not only that, but the combination of treble boost and the JFET analog boost option mean that, tone-wise, you can craft unique boost timbres for complementing your valve amp's tone. Neunaber Neuron Gain Intelligence - Digital Dirt Done RIGHT! A good starting point when looking for the best overdrive pedal is to think about how much gain you need. Granted, they're essentially versions of the same effect - with distortion being overdrive's extreme big brother - but they provide vastly different playing experiences depending on what you go for. I expected it to be more of a Harmonic Overdrive - where it really excels in the High Headroom Transparent Low Gain department. In fact I intended originally for these to be an annual event, but the selection process is typically taking up to a year to settle down. We check over 250 million products every day for the best prices, Some players may prefer a fuller bottom-end, May not have enough gain for some players, A distinctive and affordable drive from Fender, Dumble-style overdrive in a box, at a fraction of the cost of the real thing, Some players may need a more aggressive tone, From clean boost to medium gain amp-like tones, on a budget, Some players may need more tone shaping options, Guitar World teams up with TrueFire to create the ultimate in guitar masterclasses, Best overdrive pedals: Guitar World's choice, David Lee Roth's new single is a paean to Van Halen, Producer Max Norman recalls recording Randy Rhoads remarkable solos: You could see it in his face he was steeling himself, getting ready to pounce, Halestorm: Everybody was just on 11, pushing ourselves and playing these parts as if the world was never going to get back to any semblance of normalcy, Watch Metallica jam with Stranger Things star Joseph Quinn backstage at Lollapalooza, Best desktop guitar amps 2022: 9 amplifiers for portable practice, Sophie Lloyd on learning Pink Floyds Comfortably Numb: Its the precision of those bends that always blows me away, Unrivalled access to the artists and gear you love, Exclusive lessons that will make you a better player, Bring a sense of space to your tone with the. Of all the pedals I have recommended over the years - the Demon Kondo-Shifuku tends to be the one that finds most favour - every one seems to have been delighted with that. Chris loves getting nerdy about everything from guitar and bass gear, to synths, microphones and music production hardware. Using an overdrive pedal on an already distorted amp will sound very different to using it through a clean amp. I'm a huge fan of Bjrn Juhl - while this is the only of his mainline pedals that I have to date. Its very warm and very natural. I kind of would have preferred a 3-Band EQ, but those 3 x 3-way Toggle Switches really give this pedal enormous scope. It may be affordable and seen as rather pedestrian, but this pedal has been spotted on the pedalboards of Prince, Billie Joe Armstrong, and Paul Weller - and well, if it's good enough for the purple one, it's good enough for you! What I have tried to do here - despite there being a little duplication within certain categories - and even though those featured pedals are very different from each other. Wed also be remiss to not mention the Ibanez Tubescreamer (opens in new tab). Beetronics' extraordinary Zzombee Filtremulator Analog Multi-FX Pedal is not for the faint of heart! The ability to place mid-EQ before or after the gain stage elevates the Logan as distinctive and versatile drive in a crowded market. The two sides stack superbly and you get 6-degrees of saturation here right across the gears in combination and deployed individually. (Stereo), Nordland ODR-C 6 Month Update! The volume controls the output and gain, and a ratio knob blends in the overdriven sound with your clean tone. More picky tone hounds might prefer something a little more refined, like the Hamstead Odyssey (opens in new tab), or the J Rockett Dude (opens in new tab). And yes the Keeley Freak Fuzz Modded Boss BD-2 is still my reigning all-time favourite overdrive. Whichever one you opt for, and however youre using it, an overdrive pedal will give you a bit more of what youve already got, with some added grit and volume that can help you play with more feeling and expression. CKK SCREAM HONEY OVERDRIVE. Chris Corfield is a journalist with over 12 years of experience writing for some of the music world's biggest brands including Orange Amplification, MusicRadar, Guitar World Total Guitar and Dawsons Music. While funnily the first thing I did here was to dial the Deluxe in to sound exactly like the Mini Tumnus - which means reducing some of the Bass and Mids. The New Flagship Cranked Amp in a Box Pedal - The Hotlanta! There's something about this which is still magical and this pedal is so easy to dial in despite all its options - start with all the switches in down position and all the knobs at noon - and adjust from there - you can't go wrong. It's a really unique overdrive even as standard as it excludes use of Capacitors - while the Ma1s edition feature rare NOS components. Daryl Robertson Its transparent enough to let your tone come through, but if dialled in, can add a lovely rich warmth thats really musical, plus it plays well with both tube and solid state amps. Demon Pedals KONDO SHIFUKU D-STYLE - Demo by A Barrero, Greuter Audio NATURAL SELECTION Demo mit JP VonDach Stratocaster Fender Deluxe Reverb Toaster Cables, JHS Pedals Bonsai: Nine Classic Tube Screamers in One Box | Reverb Tone Report, J Rockett Audio Designs - Snarky Puppy's Mark Lettieri Melody EQ/OD, STEVE STEVENS & PETE THORN demo the Rockaway Archer OD. Controls - Volume, Gain Structure : High Peak / Low Peak, Drive, Tone. Some of the purists will challenge me why for some genres I favour extended-range derivatives, while for others I seem to like the originals best. The guitar is a midrange instrument so why not embrace that? The pedal has most of the same underpinnings as a typical Tube Screamer, but is much more open and natural in its breakup - which is superbly aided by exceptionally well-calibrated 2-Band Active EQs. Another drive in the extended TS family, the OCD goes from light drive and light compression to almost fuzz-like territory, depending on the model. Don't miss the latest deals, news, reviews, features and tutorials. There is no shortage of great Tweed style overdrives - and indeed I own a few varieties myself - but the True North Tweed Drive is still the most enduring and most natural sounding for me - also at just the right price too! While the TC Electronic Mojomojo might sit at the more budget end, its still absolutely one of the best overdrive pedals out there. and that cool Becos FX Mini Ziffer! If youre looking to drive a tube amp without colouring your sound, then this could be one of the best overdrive pedals for you. Despite overdrive being, fundamentally, a simple concept there is infinite variation possible from a single pedal. The OCD has a reputation as one of the best stack-in-a-stompbox overdrive pedals. Some players use them to tighten up, or shape their tone a little more too. In any case Joshua is doing really well these days with a near 2-year waiting list for his BlackBoxes - which he is currently only making in standard black colourway! This is a somewhat Dark and Dense overdrive in some ways, but one that's been beautifully calibrated to complement a Vox amp. You kind of need to crank the ODI a little to delivery its full charge of vintage harmonics - but when you do it truly sounds gorgeous. England and Wales company registration number 2008885. I always found it strange that the Pantheon had Bass, Treble and Presence versus Mids as the 3rd Band - but it really works and you can get all those cool in-between tones too. It has good EQ shaping options, plus it plays well with other pedals whats not to love? Do you want one as the basis of your main sound? I will have a gold hardware White Edition eventually - however I get there! These types of exercises are incredibly tricky to strike the right balance of generally considered classic overdrive pedals and personal favourites - and they usually evolve over quite an extended period. This is for sure a distinctive voice, but needs diligent dial-in when not used in combination with a Vox combo! In terms of sounds, the Klon is often described as 'transparent', but we've always found it to be distinctly colored, chewy in its drive tone at lower gain settings, and crunchy and dry with the gain up these qualities are also true of the Tumnus. Read the full Ibanez Tube Screamer Mini review. Whilst overdrives arent there to completely change your sound, many do add some tonal qualities that players love, so the inherent sound of it should be considered. Controls - Volume, Gain, Post EQ : 100Hz | 200Hz | 400Hz | 800Hz | 1.5kHz | 3.2 kHz. Richard Blenkinsop From Queen-style treble boosting to modern metal, this pedal really can do it all, and without breaking a sweat. I suffer from an embarrassment of riches really where I have just a few too many great overdrives to accommodate them all in the rotation. Although it has an analog JFET gain stage, the heavy lifting is actually done digitally, allowing it to have a much wider range of potential tones inside the unit. The Red Snapper is often overshadowed by the Lightspeed in terms of enduring popularity - while the Red Snapper is every bit as good - a classic for sure, and really handy in the dual vertical Fish Factory edition! I was more surprised on the solely digital pedals as to how authentically analog style tones I could generate - while on the strymons and Boss you obviously have a JFET / MOSFET First Gain Stage. The Mesa Boogie Flux Five overdrive takes the smaller Flux overdrive and adds in the five-band EQ as seen on some of Boogies most famous amps, resulting in a huge amount of control. It is, it must be said, not a cheap pedal so its probably not advisable for players looking just to tighten up an existing tone. I had been chasing this one since I featured it back in my 2020 rundown as a new introduction. KMA Machines understand this and its Logan goes as far as to introduce footswitchable mids alongside parametric control for the Mid Cut/Boost and Mid Frequency, effectively offering two overdrive pedals to use at once. Weve even added some buying advice further down this article to help you find the best overdrive pedal for you and your needs. If youre using an overdrive pedal for solos, then dialling in more high-mids and top-end can help you cut through a live mix better. Controls - Volume, Drive, Tone, Type : OD-1 / TS808 / TS9 / Metal Screamer / TS10 / Exar OD-1 / TS7 / TS808 Keeley Mod / TS9 JHS Mod. The Presence dial helps you make it brighter and more open - and I usually prefer it with the +Cream switch applied, while my setup sounds better with the XLF off - obviously that's handy if you have somewhat brighter output Single Coil pickups on your guitar. Heres why you can trust us. I feel that this is definitely the star of the show, and I would expect it to be one of my most used Klones alongside Thorpy's Peacekeeper. Some of the best overdrive pedals even have different foot-switchable gain stages. Its really versatile and offers you everything from a subtle clean boost, to transparent overdrive, through to compressed, crunchy, pushed tube amp-like tones. For many this is their favourite all-time Wampler pedal. The Dude is a D-style overdrive pedal; that is, its trying to replicate the sound of a Dumble amp, which are some of the most expensive and sought-after amps in the world. Great sounding and really versatile Blues Breaker - possibly the most consistent to dial in, while to-date my best ever Blues Breaker tone was achieved on the Wampler Pantheon! By default the Hybrids are a tiny bit more natural in their overall breakup - while you can still get some brittle artefacts if you dial things in wrong. You can even get overdrive pedals that offer the breakup sound of some classic tube amps. Simple boosting is possible from the Morning Glory V4 side, which adds a transparent push and increased dynamism to your tone without colouring it. There's a range of sweet spots to be found across the dials - while the Germanium clipping is a little more subtle than I imagined. Some also pair incredibly well with other pedals for example, a Tubescreamer feeding into a Klon style OD is a classic pedal combo. With that being said, this mighty blue box can also do great rock tones, as well as a relatively convincing clean boost. I'm always fascinated to see where other people's preferences lie - and no doubt your own collections are just as valid as mine. Glowfly's Retroflect is a really elegant take on LoFi Tape Simulation / Modulation, Robert Keeley collaborates with Andy Timmons to reproduce his Legendary Halo Dual Echo Effect, Anasounds Unleash their Monster 7-in-1 Modular Dual Channel Full Story Multi-Muff Fuzz / Distortion, The Reeves Electro Zo Silicon Zonk II has landed to complete the Reeves Tone Bender Inspired Fuzz Trifecta, DSM & Humboldt's ClearComp 1078 Dynamic Threshold Compressor is Uniquely Engineered to Preserve Playing Dynamics, Walrus Audio's Lore Reverse Soundscape Generator doubles down on Reverse Delay and Reverb, and adds Pitch Shifting into the mix. All of these are excellent in their own way - the Euphoria, Pantheon and Tumnus Deluxe - I've gotten so many great tones out of each of them - truly among the best of those genres - while several people prefer the Mini Tumnus over its more capable larger sibling. Controls - Level, Hi-Cut : More / None / A Touch, Gain, Tone, Voice (Presence / Bite), On Footswitch, +5dB Dirty Boost Footswitch. : Controls - EQ : Flat & Fat / Fat + Full-Range (LTD V2) / Flat & Transparent (LTD SR), Gain Structure : High (unLTD) / Low (LTD), Volume, Tone, Gain. My friend Giulio's de-compressed take on the Tube Screamer is a real revelation as an all-rounder gain-machine. The J Rockett Dude prides itself on giving you the famous Dumble amp sound in a box. Controls - Tone, Bass, Treble, Gain, EQ : Pre / EQ (Clean Boost) / Post, Level, Clipping : C1 (Symmetrical) / C2 (Asymmetrical) / C3 (Dual-Clipping), Gain Structure : x2 / x1 / x5 (Multipliers). There are a few basic all-white normal hardware editions out there - which I may just acquire - and swap swap in the metallic Gold knobs myself - while I'm not about to solder in new jacks or footswitch - so there I would likely make do with Gold nuts and a Gold Footswitch Cover Button - in the more recent smaller size - which though still seem hard to get a hold of. This is still my favourite daily Dumble - despite some very stiff competition. If you'd rather just get straight to the products, then keep scrolling. Readers of the blog will know that I'm a fan of Hybrid Analog + Digital Drive pedals - where the Strymon Riverside and Sunset are pretty much permanent in my pedal-chain, and the Boss OD-200 also puts in regular appearances. The Melody actually initially started off as an unnamed Keith Urban Signature Project based on the Animal overdrive, but latterly morphed into a Mark Lettieri Signature Project based on The Dude, Blue Note and Majestic. Future Publishing Limited Quay House, The Ambury, The pedal has been designed in such a way that it increases the voltage sent into it, to increase headroom which makes it super responsive to your playing - all the nuances in your picking hand will shine through, and it will react really well to your guitars volume knob. The Freak Fuzz variety adds a further 'Fuzz' mode - meaning you have 4 different playback modes overall! Click for more info. You must be registered and logged in to comment. The resulting dual-channel pedal has one bypass footswitch and a second to toggle between the channels. Then youve got separate controls for adjusting treble and bass, so more than enough to really dial in your tone to your liking. I still have a BlackBox 2 Stage Pro edition, while mine is in standard black colourway with regular cream knobs. Controls - Bass, Clipping / Compression : Up is Compressed Asymmetrical / Middle is Least Compressed Symmetrical / Down is Slightly More Compressed Symmetrical, Gain, Volume, Treble. A classic modern metal 'djent' tone can be achieved with a TS set up as a boost; that is, gain down, volume way up, tone up, in front of a Peavey 5150 or similar high-gain amp. All rights reserved. 12 years on from its initial release, Fulltone released a fully-fledged V2, which packs an output buffer, which stops the pedal from being influenced by stompboxes before or after it; a Class A configured discrete 2N5457 JFET input section, which raises input impedance and increases dynamics; plus an internal switch to change between Enhanced Bypass and true bypass. Read the full TC Electronic Mojomojo review. Some of the pedals in this guide are clones of old classics, and others are newer designs utilizing modern technology. No prizes for guessing which specific genre of player the Catalinbread Sabbra Cadabra will appeal to. I was genuinely surprised how good I could get the Neuron to sound. BA1 1UA. Then theres a gain toggle switch that lets you choose between more open, crunchy sounds and more compressed and saturated tones. BA1 1UA. Rockin' Fender's "Tweed" Tone! But with a little patience and due diligence you can dial in some suitably stellar tones on the Melody. There is an internal 18V charge pump, and each EQ has 15dB on-tap - allied to expansive Volume and Gain controls. I really love my Modded Pettyjohn ODI and actually had the Pettyjohn Edge (Jr Chime) in one of the previous selections - while that dropped out in the final rounds - while it still remains one of my favourite overdrives! I'm still surprised how relatively rare these types actually are! I feel that's the best looking version of this pedal - and despite my petitioning Joshua on several occasions to make one more for me - he has rightly not relented! Heres why you can trust us. It's very common to see players set up one side for a mid-level drive and then the other side as a dramatic boost, allowing them to effectively move into high-gain territory and smash a tube amp into saturation, as well as having a more sedate rhythm drive option. By That Pedal Show's Mick Taylor and Daniel Steinhardt's signature pedal with Keeley Electronics is a dual-format design featuring overdrive and boost sections that can be used individually or stacked with the option of putting the boost before or after the drive. The City does though still get the occasional airing alongside its Kingdom Combo Klone sibling. Thank you for signing up to Musicradar. Great sounding right through the dials even though the output is somewhat focused as such. The OD-1 was the Overdrive that started it all off and inspired the Maxon / Ibanez Tube Screamer, but because of Boss / Roland's ownership of the Asymmetrical Clipping Patent - the Tube Screamers had to be made with Smoother Symmetrical Clipping which funnily appealed more to the general masses of consumers and led to the TS808 / TS9 becoming the most popular and ubiquitous Overdrives of all time! Dime the volume with the gain pulled back a bit, and in front of a tube amp you'll be in metal territory. This translates into a slightly more flexible pedal than the Melody, and one that's slightly easier to dial in too. Still a versatile great sounding drive - even with those slightly dumb backwards EQ controls - which cut the most to the right versus the usual left convention. The Limited Run Black Edition of Missing Link Audio's Eliminator Overdrive has landed! There are so many different options available, all with different components and circuit boards affecting their tone, but what are the best overdrive pedals around right now? MusicRadar is supported by its audience. Are you using it to push an already driven amp? It has a very distinctive tone and timbre - and the sort of +5dB Dirty Boost Footswitch makes it work like a dual-channel affair really - particularly if you set the gain just right! The Klon is beyond the means of most of us, but if you're looking for that type of touch-sensitive, transparent overdrive and boost that keeps your core sound intact, the Soul Food delivers it, with a small bump in the low-mids and a range of gain from clean boost up to mid-range drive. Less transparent overdrives can still be great though; pedals like the Fulltone OCD have a really great sound that almost sounds like an amp within itself. The original Klon Centaur is right in the middle of the Venn diagram overlap for 'rare' and 'expensive', but luckily there are a number of high-quality clones on the market, of which the Tumnus is one of the better units, in our opinion. The Timmy is supposedly a transparent type - but it's not as transparent / neutral / minimally colouring for me as the Lightspeed, Red Snapper (Fish Factory), or Scream Honey. This is based on the famous Paul Cochrane Timmy overdrive pedal - Paul even helped MXR with the design. For some of these varieties I prefer the original pure play types, for others I prefer more extended-range derivations. My favourite setting on this is a sort of Soft Klone - which is actually something that is nigh impossible to achieve on other pedals of that ilk. Wampler Tumnus Deluxe Overdrive | Reverb Tone Report Demo, Robert Keeley Extracts and Beefs up the Dark Side's Quad Opamp Muff style Fuzz - now available as stand-alone Moon Fuzz, 32 of the Best Mini Fuzz Pedals - 2022 Ultimate Selection, 32 of the Best Compact Overdrive Pedals - 2022 Ultimate Selection, 32 Key Guitar Effects Pedal Types - Preferred Compact Pedal per Type : 2022 Edition, 28 Key Guitar Effects Pedal Types - Preferred Medium Enclosure Pedals per Type, The Method behind the Madness - an Explainer Feature on the Inner Workings and Science of my Pedal-Chain / Pedal Platform Stereo Rig, 28 Key Guitar Effects Pedal Types - Preferred Mini Pedal per Type. Funnily enough, we even found that it stacks well with, you guessed it, a Tube Screamer.

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